{"id":17267,"date":"2023-07-06T19:57:29","date_gmt":"2023-07-06T19:57:29","guid":{"rendered":"https:\/\/rcourihay.com\/?p=17267"},"modified":"2026-03-13T18:45:49","modified_gmt":"2026-03-13T18:45:49","slug":"social-safari-park-magazine-winter-2023","status":"publish","type":"post","link":"https:\/\/rcourihay.com\/staging\/blog\/social-safari-park-magazine-winter-2023\/","title":{"rendered":"Social Safari: PARK Magazine Summer 2023"},"content":{"rendered":"

Met Gala The Party of the Year<\/h2>\n

Metropolitan Museum of Art \u2018s Costume Institute<\/strong><\/p>\n

\"\"<\/p>\n

Dua Lipa, Roger Federer, Pen\u00e9lope Cruz, Michaela Coel, and Anna Wintour co-chaired this year\u2019s chic Met Gala dubbed\u00a0\u201c<\/strong>Karl Lagerfeld: A Line of Beauty.\u201d This year, the ticket prices were raised from 35k to 50k\u2014inflation has even hit the fashion world in 2023. I\u2019ve been to every Met Gala since 1972, either as a guest, when tickets were 500 dollars apiece, or as a columnist, and this year did not disappoint. \u00a0On the first Monday in May, couture clad A-Listers flock to the Metropolitan Museum of Art to celebrate fashion and raise the necessary funds to maintain the museum\u2019s extraordinary Costume Institute. Each year, the sparkling benefit rakes in more money. Last year they raised over $17.4 million. The \u201cParty of the Year\u201d just keeps getting better, and this year proved more elegant than eccentric, which I\u2019m sure \u201cThe Kaiser\u201d would have approved.\u00a0 The designer was a central fixture in the fashion world with his work for Chanel, Fendi, Chloe, Balmain, Patou and his own eponymous brand.\u00a0 Lagerfeld, a lover of felines and fashion, was an outspoken foe of sweatpants and once said, \u201cSweatpants are a sign of defeat. You lost control of your life, so you bought some sweatpants.\u201d His legend is cemented with this thoughtful and inspiring exhibition, which features over 150 garments spanning from the 1950s to his final collection in 2019. In 2013, he proclaimed, \u201cI\u2019ve always known that I was made to live this way, that I would be this sort of legend.\u201d\u00a0The show runs through July 16th<\/sup>.\u00a0metmuseum.org<\/em><\/a><\/p>\n

The White Carpet<\/strong><\/p>\n

Pearls, tweed, camellias, and cats were the holy quintuplet of this year\u2019s gala. \u00a0The museum\u2019s steps were covered in a white carpet with red-and-blue swirling lines\"\"\u00a0referencing the exhibits\u2019 theme. The steps were lined with wine racks of empty plastic bottles, and the main entrance featured an enormous column made up of thousands of them. The roof of the entrance tent was draped with white silk and festooned with crystal chandeliers. Among the actors, musicians, and socialites who stood out on the carpet were Jared Leto dressed as Lagerfeld\u2019s beloved cat, Choupette, Doja Cat donning a prosthetic nose and lip to mimic the feline look, and a racy Lil Nas X covered in nothing but silver glitter, crystals, and a thong and wearing sky-high platforms. We can\u2019t forget to mention a pregnant Rihanna, who arrived two hours late, in a cocoon of white camellias and a twenty-foot train. She was worth the wait!<\/p>\n

The Exhibition<\/strong><\/p>\n

The exhibition is presented as a conceptual essay about Lagerfeld\u2019s work and is based on William Hogarth\u2019s book\u00a0The Analysis of Beauty<\/em>. Hogarth describes theories of art and aesthetics centered on the form of lines within its pages. The exhibition is anchored by two through lines, the serpentine line and the straight line, that represent conceptual expressions of Lagerfeld\u2019s sketches. The serpentine signifying Lagerfeld\u2019s historicist, romantic, and decorative impulses, while the straight indicates his modernist, classicist, and minimalist tendencies.<\/p>\n

\"\"These two lines are then divided into nine pairs of \u201csublines\u201d to represent the dualities in his designs: feminine and masculine, romantic and military, rococo and classical, historical and futuristic, ornamental and structural, canonical and countercultural, artisanal and mechanical, floral and geometric, and figurative and abstract. To bridge the dualities together, there are, as the curators explained, \u201cexplosions,\u201d or important garments which signify the convergence of the lines. His own sketches will be shown next to a majority of the pieces, underscoring his creative process and collaborative relationships with his premi\u00e8res d\u2019atelier\u2014the seamstresses responsible for translating Lagerfeld\u2019s drawings into three-dimensional garments. These sketches serve as the introduction to the exhibition with illuminative videos showing Karl making the drawings in real time. Sketching was both Lagerfeld\u2019s primary mode of creative expression and his primary mode of communication.<\/p>\n

Closing the show is the satirical line, which comprises two parts. The first\u00a0includes g<\/strong>arments that communicate Lagerfeld\u2019s razor-sharp wit expressed through ironic, playful, and whimsical embroideries. The second features ensembles that mirror the late designer\u2019s self-image through various representations of his immediately recognizable black-and-white \u201cuniform.\u201d
\nMax Hollein, Marina Kellen French Director of The Met, said: \u201cKarl Lagerfeld was one of the most captivating, prolific, and recognizable forces in fashion and culture, known as much for his extraordinary designs and tireless creative output as for his legendary persona.\u201d<\/p>\n

Andrew Bolton, Wendy Yu Curator in Charge, The Costume Institute, said: \u201cThe exhibition explores Lagerfeld\u2019s complex working methodology, tracing the evolution of his fashions from the two-dimensional to the three-dimensional. The fluid lines of his sketches found expression in recurring themes in his fashions, uniting his designs for Chanel, Chlo\u00e9, Fendi, his eponymous label, Karl Lagerfeld, and Patou, creating a diverse and prolific body of work unparalleled in the history of fashion.\u201d<\/p>\n

The D\u00e9cor<\/strong><\/p>\n

The Met Gala\u2019s brilliant event planner, Ra\u00fal \u00c0vila, created a modern and innovative installation. Architect Tadao Ando designed the exhibit. \u201cIt\u2019s a nod to Karl\u2019s love of everything cutting edge,\u201d\"\"\u00a0said\u00a0Vogue<\/em>\u2019s contributing editor Eaddy Kiernan, who helped plan the event.<\/p>\n

The eco-friendly emphasis is an important detail. \u201cGiven today\u2019s climate, we wanted to highlight the importance of giving our everyday items more than one life cycle,\u201d \u00c0vila explained. \u201cWe wanted to find a way to create a sustainable design that would implement the bottles into a breathtaking installation unlike anything we\u2019ve done before.\u201d The water bottles also flanked the staircase leading up to the gallery, reflecting the surrounding lights to make the entire design feel immersive.<\/p>\n

The Dinner<\/strong><\/p>\n

The dinner was inspired by the wedding reception that Lagerfeld hosted for Paloma Picasso in 1978.\u00a0 The goal was to make it feel like a dinner at his home, and by all accounts, they succeeded. The lavish meal included chilled spring pea soup with baby vegetables, lemon cr\u00e8me fraiche, and truffle snow, followed by Ora King salmon with asparagus, pickled strawberries, and radish. The meal was served on vintage China with bouquets of pink flowers on the table. For drinks, there was a fine wine selection and a whimsical addition: cans of Diet Coke, one of Karl\u2019s favorite drinks.<\/p>\n","protected":false},"excerpt":{"rendered":"

Met Gala The Party of the Year Metropolitan Museum of Art \u2018s Costume Institute Dua Lipa, Roger Federer, Pen\u00e9lope Cruz, Michaela Coel, and Anna […]<\/p>\n","protected":false},"author":2,"featured_media":17294,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1973],"tags":[],"class_list":["post-17267","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editorials"],"acf":{"full_width":false,"header_transparent":false,"header_white":false},"yoast_head":"\nSocial Safari: PARK Magazine Summer 2023 - R. 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